Print-making is a very integral part of my process. Since the camera lens does not see the same way as the human brain, I spend much time in digitally reworking my pieces to convey moods and feelings. I make archival prints with pigment inks on fine art photographic paper or stretched canvas so as to enhance the original colors and textures.My photographic philosophy is simple. I photograph subjects that trigger a response in me—either visually or emotionally. As I get drawn into a theme, I attempt to capture or isolate the essence of the subject in terms of movement, form, color and light. The human element is particularly a strong attraction to my senses.